aH of smiles and tears: April 2007
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Sunday, April 29, 2007
stella stopped your world at 5:01 PM



WOW SO COOL TO SEE SO MANY PEOPLE POSTING =)

and that's a nice photo of howie..happy birthday friend!! and...... how is this europe trip?? =P

happy birthday to jon too...

haha..and is that really caleb??? ^_^ i really liked the clip of ur musical and..hehz.. kinda forwarded the link and attached the sweet potato song to..erm.. some of my friends..hehezz..(some could be an understatement)..

anw, HERE'S A BIG HALLOOO from down under ^_^ all the best with exams for those who hafn't finished yet..

--
i asked myself a few questions today..i found it quite helpful to be honest with myself and i hope they will bless u too :)

on a scale of 1-10 (10 being u really truly deeply understand and believe), how much do you believe that God...

1. loves you
2. has forgiven u
3. will give u wisdom when u ask and do not doubt
4. speaks to u
5. is wise
.
.
the list can go on..but yea, u get the idea =) go for it~

and..which aspect do u desperately want God to reveal more of to u?


for me, at this point in time, i really want to know very deeply that God loves me. and He's bringing me closer and He has gently reminded me that the definition (or criteria?) of love is in 1 Corinthians 13. I'm thinking..haha.. it doesn't say that love speaks to u all the time, gives u hugs all the time, spends time with u, gives u presents, etc etc... and that challenges my own idea of love!!!!! and i can use that to test whether or not i love someone? =P

Isaiah 43:9-11 (New Living Translation)

New Living Translation (NLT)

Holy Bible. New Living Translation copyright © 1996, 2004 by Tyndale Charitable Trust. Used by permission of Tyndale House Publishers.



9 Gather the nations together!
Assemble the peoples of the world!
Which of their idols has ever foretold such things?
Which can predict what will happen tomorrow?
Where are the witnesses of such predictions?
Who can verify that they spoke the truth?

10 “But you are my witnesses, O Israel!” says the Lord.
“You are my servant.
You have been chosen to know me, believe in me,
and understand that I alone am God.

There is no other God—
there never has been, and there never will be.
11 I, yes I, am the Lord,
and there is no other Savior.


today, i came to a deeper understanding of why it's so important to know God. cos if i know that He's trustworthy, i can put my trust in Him, i can put my faith in Him; i can love Him, i can obey Him.

(HEY!! actually, i knew this long ago?!?!! didn't i learn this like in 2005 when i was studying experiencing God by Henry Blackaby..1. know 2. trust 3. love 4. obey... uh-oh...)



Tuesday, April 24, 2007
xincity stopped your world at 6:58 PM



just for laughs. a classmate from my english class introduced me to what he called 'the worst poem ever written in the english language'. google seems to agree with him, so i've posted it up here to share with the rest of you. it is best read out loud and in an overly dramatic voice. (incidentally, i'm sure mr ngoei would do a great rendition of this. ;p )

A Tragedy

Theophilus Marzials

Death!
Plop.
The barges down in the river flop.
Flop, plop.
Above, beneath.
From the slimy branches the grey drips drop,
As they scraggle black on the thin grey sky,
Where the black cloud rack-hackles drizzle and fly
To the oozy waters, that lounge and flop
On the black scrag piles, where the loose cords plop,
As the raw wind whines in the thin tree-top.

Plop, plop.
And scudding by
The boatmen call out hoy! and hey!
All is running water and sky,
And my head shrieks -- "Stop,"
And my heart shrieks -- "Die."
* * * * *
My thought is running out of my head;
My love is running out of my heart,
My soul runs after, and leaves me as dead,
For my life runs after to catch them -- and fled
They all are every one! -- and I stand, and start,
At the water that oozes up, plop and plop,
On the barges that flop
And dizzy me dead.
I might reel and drop.
Plop.
Dead.

And the shrill wind whines in the thin tree-top
Flop, plop.
* * * * *
A curse on him.
Ugh! yet I knew -- I knew --
If a woman is false can a friend be true?
It was only a lie from beginning to end --

My Devil -- My "Friend"
I had trusted the whole of my living to!
Ugh; and I knew!
Ugh!
So what do I care,
And my head is empty as air --
I can do,
I can dare,
(Plop, plop
The barges flop
Drip drop.)
I can dare! I can dare!
And let myself all run away with my head
And stop.
Drop.
Dead.
Plop, flop.
Plop.



Sunday, April 22, 2007
Melissa Goh stopped your world at 11:22 AM







Mel in philadelphia! .. haha.. leb said to post pictures.. so here they are! For those who don't know, mel skipped school for two and a half weeks and went galavanting in the states. And to mel's utmost delight, leb brought her to visit the World's largest pipe organ!! .. let's say that again. WORLD'S LARGEST PIPE ORGAN!!! And it was in the middle of a shopping centre, believe it or not. So, mel would like to say a public thank you to leb for making her visit to philly a truly wonderful and eye-popping one. Oh oh! and one must not forget to add that UPenn has the BEST ICE CREAM ever. =) ..



Thursday, April 19, 2007
xincity stopped your world at 10:12 AM





consider the emotional resonance of this trailer and the film. is it because we know at some deep level that the plight and foibles of the characters are our own? is it because we know that the ideology of chasing a dollar bill is undermining the energy of a nation from within? how does one serve others when the simple act of saving oneself is hard enough as it is? how do you get out of a small box with invisible glass walls?

leb, i think you're right about how people should translate action into belief. i won't dispute with you there. but i think we might also want to think about the (pessimistic, i'd admit) extent to which we as a culture and people are essentially materialist, be it by choice or not.

what i would also like to suggest on hindsight is this. putting aside the emotional outrage (which i too expressed last week in an extremely wrought gut reaction post on my blog), what i am sensing from these blogs isn't so much a yen for social justice or political ethics. what i am sensing, through proliferation of discourse, is an attempt to seek or reclaim. it's as though all these bloggers have this vague aching sense of singapore as it should be and a big gaping void of reality gouged in their minds of what it is. as it is, half of the anger seems to arise from what is perceived to be a negation of democracy - whereby people have been deprived of the agency to enact change, or where it is felt that their opinions have not been properly acknowledged.

maybe all they're trying to do is gain a sense of cohesion and belonging through resistance against what they see to be the force depriving them of that belonging. that the medium and the political conditions are ones that compel them to sit behind a computer, rather than go out and physically throw themselves into action, are unfortunate factors that cannot be helped. maybe a helpless and wandering search for the missing and unknown part of a nation's soul can only take place in a city of towering words.

admittedly, i'm treading on sticky ground here. most of the bloggers out there have this idea that the government only aired the decision to raise salaries to parliament as a perfunctory and hollow gesture, with every attempt of following through with it regardless of local opinion. (pretty much in a repeat operation of what happened with the decision for the integrated resorts? transparent government, yes, but not democratic?) whether the government really had such an intention, i wouldn't know, and it's not for me to judge either.

but i do know that if i know myself to be part of a nation, i'd want to know that i mattered to the nation as more than economic collateral. that i am unable to see past the money-lens i have had on all my life, which leads me to resort to using the lowest rung of the socio-economic class ladder as a means to ground my protest, may be a natural progression of the swamp i am stuck in. maybe not. it is hard to judge. that i resort to making a facebook group that will allow me to contribute to the creation of a lost national consciousness, without being worried that my expression of tough/ misguided/ childish/ mature love for my country will be curtailed for controversial/ unsavoury/ worrisome content, is perhaps more sad than immature.

i'll be honest when i say that part of me wants to pat our prime minister on the back and say "thank you, that was a lovely and considerate thing to do, donating your pay raise". this doesn't mean that there isn't another part of me that's screaming silently "how could you be such an idiot and raise the salaries at all? your logic stinks, your argument is weak, and look how many people out there are upset with you!". neither of this stops me from questioning the true motivations behind the donations. nor does it make me forget that while comparing public and private sectors may be absurd, so is comparing the unique scenarios of singapore to every other first/ third world country out there whose leaders are getting less pay (i.e. everywhere else).

but in the middle of all this doubt, criticism, and second-guessing, i never forget for a moment that i do love this country. these bloggers, stuck behind their nice macs or not, probably do too. and whatever we want to say about the government, if they didn't at least have some amount of compassion, they wouldn't be there serving at all.

to love but to never be able to express that love, is to me, one of the biggest demons that haunts humanity. there is no lack of opportunity in singapore to express love by doing social work or by caring for your neighbour, leb, as you said. but expression of love on the political level in this country, is quite another jar of jellybeans altogether. i don't think that's a point we can quite afford (ha! economic metaphor!) ignore either, when considering this uproar over the whole salary rise.

sorry if none of this made sense or if there are gaping holes in my argument. i think my brain is still recovering from the aftermath of a linguistics exam.



Wednesday, April 18, 2007
leb stopped your world at 10:16 AM



Thanks to michlee and yina for leaving comments for me... I just figured since this was such a contentious issue, that we could start some discussion and fireworks. So here goes, my two cents on the ministerial salary raise:

"I've been reading up very briefly on the recent online explosion in response to the ministerial salary increase, and the widespread frustration and condemnation that's been tossed around, especially with regards to income gap and the plight of the poor. Mrbrown, insanepoly, and a bunch of other famous bloggers have all had a hayday bashing the government, and voicing their frustrations about what's going on at home. I even noticed that someone started a facebook group decrying the salary increase- I think it was titled "pissed that my prime minister is making 3.1 million" or something like that.

You know what I want to ask? How many Singaporeans REALLY care about the poor? How often do you drop by a homeless shelter and offer to help out with some worthy cause? Not that often I suspect. It's our first tendency to blame others for everything, and perhaps, most of the time, we're justified to voice our complaints and frustrations. But let's not fool ourselves with our self-righteous condemnation of others, or our cries for resistance and disillusionment with authoritarian government- if you're so enthused about social justice or fired up about political representation, then stop wasting time building a name for yourself by blogging in the comfort of your daily life, and get out there, get your hands dirty and get involved! Go and HELP the poor, volunteer at a charity, go and RUN for parliament! It's one thing to sit there and complain about others, and another thing to do it yourself.

Most of the time, when I read these blogposts, I tend to think, yea "you've got a point, and I suppose you're justified in feeling disillusioned with the leaders of our country," but then again, the thought hits me- well what are you doing to change it, then? Sitting in your air-con condo or HDB flat typing your latest intellectually-stimulating post on your spanking new Macbook Pro or other, lamenting the fate of the poor and calling out the insincerities and dishonesties of our government leaders by night, only to return to your white-collar job in the day where you earn a pretty comfortable income yourself as you continually look forward to a raise or promotion. I'm not accusing anyone of anything, neither am I defending the PM- all I'm saying is:

It may be fun to bash the "powers at be", or anyone else, and laugh at the status quo and act resigned, frustrated or apathetic. But if you're really angry about, really fired up about it, then do something! Don't start a facebook group- that shows nothing- other than how witty or clever and well-informed you are that you have a political opinion. It also shows how immature you are, and that satirical humor and jokes are much important than enacting true change. I challenge you: If it means enough to you, then let words translate into actions, and let actions translate into change."

Do people have any thoughts?



Thursday, April 12, 2007
leb stopped your world at 1:18 AM



If you try and googleimagesearch "Howard Tan", you'll get the following:

1.)


2.)





3.)


4.)


This is the correct one.

Happy Belated Birthday Howard!



Wednesday, April 11, 2007
xincity stopped your world at 8:07 PM



because i am stuck in procrastination limbo between the mad rush of essays and the mad rush of exam mugging. because reading postmodern russian satire while studying autobiography as a genre gives rise to the oddest of ideas. because it was easter a few days ago.

i hence provide for your entertainment/ boredom/ panacea to insomnia/ ridicule, fiction at 5am in the morning, vancouver time.

happy belated birthday howard! and everyone, all the best for the upcoming exams. aja aja fighting! (clearly, i've been watching too much korean drama)

*****

Figure: an experimental work of fiction
Inspired by Ken Krekeler’s “Icon” (2006)

I remember, on the day I met my son, the way the rising sun was blazing gold over the thin layer of snow on the ground. The way the sky was fading from the soft dark colour of forest moss to polished lightness of blue steel, the lilt of the sparrows outside calling and speaking in song over crisp morning air. It was one of those mornings where the world was just standing still. Just waiting for the sound of the day breaking into wholeness. One of those mornings where you could look into the tiny sky eyes of a baby lying warm there in your arms, and know for sure that all was as it should be.

I remember the way Yosef, my husband, was squatting next to me, all fumbling hands, so gentle and so awkward. Yosef, his grey beard uncombed, a layer of grime caked in the furrows of his brow. His face shining, one hand raised against the glare of light through the window, laughing eyes wet with tears. He was so happy. You should have seen it.

We hadn’t been expecting him. Yosef, in his own words, after all, was no spring chicken. His friends had egged him about it for a while. Others had gone the other way and asked my own father in hushed voices if he was really going to let his only daughter wed an artisan. Your daughter will sleep in a pile of wood chips, they said. She will have splinters in her food all the time. Why, think of the dusting she must do. And all those sharp tools lying about. It is no place to raise a child – if the man can still get it up at his age…

My father had told them that Yosef was of a good family. Down on their fortunes, perhaps, but of a good name. And Yosef, he said, was a man with a kind heart. They had laughed then, told my father that a kind heart never kept a belly full.

And Yosef, well, Yosef was a shy man. He didn’t talk much to me about his other wife and children. Never one for words, simple in speech as in manner. The kind of man who could come into a room and sit quietly with a cup of tea, and you would never notice that he was there at all. A man with a kind heart, but a quiet one.

But you should have seen him carve. Yosef could make wood come alive under his fingers and breathe, smooth it until it was as slick as water. Yosef could see shapes under the coarse grain, lying in wait to be born. He was a master. He would never speak to me without someone else in the room, it was true. But one summer night, out there under the sky crowned with a pantheon of silver stars, Yosef showed me a desert rose painstakingly carved and resting in the centre of upturned palms. Every thorn, every petal, perfect and polished into cryptic immortality by moonbeams.

He didn’t have to say a word. Neither did I. We both already knew.

There was no need for desert roses when Yosef finally did ask me to marry him. It was one of the longest speeches I ever heard him make. Looking my father straight in the eye, he told him, he said, “Jehoiakim, my friend. I am a very simple man. I would give the world and more for your daughter. But I am only a craftsman. All I can promise her is the best furniture in the land.” My father smiled and laughed, clapping Yosef on the shoulder. And so we were engaged to be married that autumn after the wheat harvest.

When I first told Yosef I was pregnant, I remember how the lines in his face grew taut like bowstrings. How he clasped his chapped hands together as if in prayer. It was if I could see the thoughts slice through his head with glacial coolness. He hadn’t been expecting this. Could he handle this addition to our family to-be? I thought he would send me away. Force a break-up. For a moment I saw his shy eyes glaze over like ceramic under fire. Harden into diamond. I saw them mellow and well over with balmy tenderness, bubbling with vital determination. “What God gives, who am I to take away?” Yosef grinned at me. “I am old, yes. But we shall have this baby come, you and I.”

Like I said, Yosef was a shy man, but he was a man of his word and more. I never once saw him lose his temper, or his cool. There was the inimical cruelty of small-town gossip, and the disapproving frowns of the men who served at the temple. Of course, there was the piercing laughter of all those who made bad jokes about carpenters and screws, although Yosef didn’t use screws at all. Through everything that nearly tore us apart, he stuck by me. Defending us. Going for the doctor. Making the tea. Handling the taxes.

That morning, Yosef laughed sparkling wine, praising God. His cloak of shyness seemed to have fallen from him for that time. We cooed and we crowed. Made sounds of familial contentment.

“Down! Put him down!” I laughed as Yosef picked my son up to swing him about the room, and told him that the both of them needed some rest. “I’ll teach him to carve!” Yosef beamed. “This boy will be the best craftsman in the whole damn country. Did you ever see such eyes, woman? Such arms?” He would have danced and pranced around the room, had he not been so old.

My son yawned and burped sleepily in my arms, tiny eyelids falling. I thought I could smell the scent of sweet incense and hay in the air. Already, I could him shaping wood, carving desert roses into being.

We moved to a different town shortly after, and settled in a sleepy neighbourhood. Yosef quickly became well-known for his both his beautiful woodwork, and his beautiful baby son with the dark hair and sky eyes. Business was always good. In the mornings, I would walk our son to school. And in the afternoon while I cooked and cleaned, he would play on the floor of Yosef’s workshop. The neighbours who had prophesied to my father of accidents with sharp tools proved false. Yosef never left any of his tools lying idly around where a child could reach them. Every night after supper, Yosef would tell him a story while I cleared up the day’s mess.

We dressed him in clothes I sewed for him myself. Yosef would carve the most cunning of toys. For his third birthday, Yosef made a whole herd of little sheep. I remember joking then that if Yosef made a different animal every year, the boy would have a whole farm before he was ten. Yosef had roared with mirth, and then gave him a miniature fishing net the year after. Oh, how I smiled as if my heart would burst, watching the boy play at being a fisherman while Yosef worked in the shop. Father and son framed in the sunlight from the open doorway. The knotted twine being cast over schools of pebbles and netting all manner of wood chips. Over and over again.

I remember how I dreamt then. I dreamt while I swept the floor of our little house and while I kneaded dough with flour up to my elbows. Dreaming of how one day, our boy would learn make wood come alive under his fingers and breathe, smooth it until it was slick as water. He did so well in school, such a smart young man, all the teachers said. He spoke so well in all the languages, they said. I would imagine him taking over Yosef’s workshop, becoming well known for his own beautiful woodwork. And yet, I still saw him presenting to some exemplary young lady on a night different from all other nights, a desert rose of his own. Painstakingly carved and resting in the centre of upturned palms. And every thorn, every petal, would be made perfect and would be polished into cryptic immortality by moonbeams.

That’s how small I thought the world might be. The size of a tiny damask blossom in the palm of a hand.

The first time I heard of the movement, I was baking barley loaves for supper. Yosef was next to me, sitting on the sturdy bench our son had made the year before, beard now the colour of fresh snow. I think that we were in the middle of talking about the rising prices of Alder planks, when the neighbour next door craned her head over the back wall. She shouted so quickly I barely understood her, but pounding fear teased out her words into clarity for me.

Our son had uttered heresy and mocked the elders. Our son had started a riot. Our son had uttered compelling truths. Our son had spoken as no one had dared to speak before. What was truth? She hissed aloud, scratchy voice drunk on excitement, pricking my heart. Everyone who had heard him was seeking him to no avail. They all wanted a piece of him. Surely not the son of Yosef the artisan? Suddenly, just like that. Famous in an hour.

That is what an education does for you these days, nodded the neighbour sagely. Gives you these odd radical ideas. Puts you with these loony bins who don’t get out in fresh air often enough. Next thing, you are throwing out your traditions with the bathwater.

He came home by a shortcut. Just after sunset, before the crowds tracked him down to our home. Came home to pack his belongings, before leaving to meet the band of new friends we had only just had sat down to supper the other night. Sure, we had found it a little odd that he should be hanging out with men of such rough upbringing. Dubious background even. We hadn’t realised at the time that these men would eventually come to be the most loyal of his followers, the foam at the breast of the rising wave.

Yosef watched in silence as I shut the door and hugged our son hard. I thought I would hold onto him forever and never let go. My arms were a circle of linked iron around my son’s warm body, grown tall, trapped in the shape of a man. “Where have you been? Do you not know how worried we have been?”

My son held on to me with his strong arms, his voice soothing as Yosef’s had been on the day he had spoken to my father of furniture. The opalescent tenor washing over my terror and my ears like the cool waters of a healing baptism. My son spoke to me, spoke to us, as never before of freedom. He spoke of rejuvenation, and of voices crying out in the wilderness, calling in the night. He spoke of rewriting the scrolls of the ancestors and of the poor lying in the streets. Of new powers, of leading, and of doing away with the old. The ushering in of the world with no sovereign authority, and of God taking His rightful place.

“The people are oppressed, Mama,” he whispered with the gentle kiss of the zephyr that heralds the dawn. “They do not understand. They do not see goodness, or even the sky above them. They need me to open their eyes for them. They need to see with mine. They have to be set free. Do you not understand, Mama? I have to go to them.”

I remember then, how Yosef and I had looked across the room at each other, and then at our son. I think that was the first time when we really felt what was coming. That was when we all knew that our son wasn’t going to be a craftsman. At least, not of the kind of desert roses I had in mind.

I am telling you all this, because I want there to be something left behind. I want there to be something of my son as he was before he became more than the revolution he began, more than legend. Something apart from all the official records and writings. Something beyond the memory of one already larger than life in the memory of those who came to revere and love him, counting all else as dross. Something untouched by those who only knew of him as the renegade leader of the largest religious cult to arise out of the tired loins of a proto-nation at its knees. I want something that I know is still irretrievably mine.

Because sometimes people can get so caught up in the glamour of it all, just as easily distracted by the flashing scales of militant blue, as they are by the parchment cracklings of dried petals and the hacking coughs the old men behind the locked door of a house from long ago. They forget that there was a real person behind it all. And that before he was revealed for who he was, he had been a youth with sky eyes and a family.

Before the creator of new worlds, before the fisher of men. Before he did all those wonderful and terrible things that you are always hearing about, before he said all those erudite words that you read about all the time, he was just my son. And yet he was so much more than that.

I remember him as a child, learning to ride on the recalcitrant old donkey. How he used to get up early to help stoke the fire for Yosef’s cup of morning tea before leaving for school. How he once made a new type of table high enough for men to sit at, whereupon he laughed with Yosef and I when we told him it would never catch on. Every evening, the three of us sitting in the courtyard, watching the sun fling fiery scarlet and gold flamboyance across the peaked silhouettes of ancient mountains. Grilled lake fish and barley loaves for supper. Writing in the dust on the workshop floor as Yosef carved away, in the silent telling of a thousand stories never told.

I want others to know him. I want them to love him the way I do.

Let me tell you about my son.

Let me tell you about Yeshua of Nasarat.




Saturday, April 07, 2007
jon ong stopped your world at 12:37 PM




Hi everyone! if you're free..i know its exams weekend but coem down and support flybar! we're uh 'guest appearancing' for the Rivermaya concert..first band up at 3pm. haha.
unfortunately i cannot get free tickets so.. u gotta get tickets at ticketcharge.com.sg haha.
come come! if you're free!!

Anyways,
i went back to ACJC to play for REW with people from the Third Place. It's such a different culture now! Would you ever imagine CF people speaking chinese? well they do now!! and they only spoke English when they had to talk to the band members. sigh!!
And yeah, the feel is just different. the faces have obviously all changed. The syllabus has changed too. no more Euro History =( !! how can right?
But there still was Dolly Khemani. and Mr Kyaw Saw Lynn, Mr Loo Ming Yaw, Mrs Kat Lim, and who can forget our dear Mr Ngoei! so it was really good to chit chat with them too. Auntie Ross is of course, always there. haha.
Actually had a nice long chat with Sir and well, as usual he was abit disgruntled (spelling? sorry brain rusty) about his class not doing their work..(sounds familiar) and that kind of stuff! but it was nice to reminisce old times. haha.
and after that i went to crash his lecture and sat in at the back. But i really did nothing apart from listening. but if i closed my eyes i was transported back to a time not so long ago in a galaxy far far away..good times.

Anyway Mr Caleb, you are the superstar la, i only get to open for a band, u get to write your own music for your own musical -__- zzzzzzzzzzzzzzzzzzzz
dont forget me when you're.. wait. just dont forget me. haha
and come back soon! people are talking like.. 'eh, what's his name.. Ca.. Kay[stammers], aiyah can't remember that guy..' or there was a friend who's name started with C..' after much deliberating many people just gave up.

haha.



Wednesday, April 04, 2007
leb stopped your world at 9:15 PM



dear classmates,

it's been a while since anyone last wrote (includine me,) and here's some updates from me. the past few weeks have been consumed in an event known as Diaspura, which involved organizing a speaker series of notable singaporeans in the day, and a little college level production by night. The day's worth of events was hosted by Penn's Club Singapore, a teeny tiny organization with around 60 active members. In the morning, guests from the different colleges all over the US were hosted at themed tours around Philadelphia, visiting sights such as the Liberty Bell, the signing of the Declaration of Independence, South Street and the Italian Market (home and site of the film, Rocky I,II, III, IV, V, and most recently, Rocky Balboa), etc.

the speaker series saw comments and forums featuring a wide variety of singaporean VIPs, including: prof chan heng chee singapore's ambassador to the us (concurrently high commissioner to canada and ambassador to mexico), prof janice bellace (founding president of smu, now vice-provost at penn), francis seow (harvard fellow and current exile/"fugitive" from Singapore), colin goh (former lawyer turned filmmaker/scriptwriter, singapore dreaming, talking cock the movie and talkingcock.com and former acsian) and woo yen yen (professor of education at long island uni, filmmaker/director of singaporedreaming, etc), jing (photographer and former acsian), yian huang (photographer-former acsian), lianne huang (filmmaker, singapore girl, worked on hollywood's the interpreter), djiinn (filmmaker of the movie perth), alfian sa'at (poet and playwright). themes of the day included, singaporean identity, the future of singapore (whether in regular industry, or creative industries), pursuing one's dreams in less-traditional spheres and vocations, familial responsibilities vs personal ambition, etc. the forums and talks were, to say the least, highly provocative, and it was amazing, really amazing to see fellow singaporeans so fired up and opinionated. it was really just so..inflammatory and passionate. pictures from the entire day's worth of activities, as seen through the eyes of a visiting carnegie mellon student can be seen HERE.

afterward, the entire contingent of guests, VIPS, visitors and non Singaporean Penn kids all trouped over to the nearby Harnwell Rooftop Lounge which was converted into a theatre, for the highlight of the evening, our musical, Sing, City! written by my older brother, Josh, featuring Penn Singaporeans and friends (one thai, one filipino, 2 indonesians one 2 malaysians, one american, one mainland chinese- but all with routes in singapore- either studied there or lived there for a time, or dating a singaporean) the cast was also supported by a live 7 piece band comprised fully of PEnn students as well. i'm told that the event was extremely well attended, and we sold out far beyond the space that we had. ppl were standing along the walls and sitting along the aisles, breaking every imaginable federal firesafety ruling, but we just couldn't turn ppl away, i'm told. it was quite touching to see the support for the show just mount, and see the rooftop lounge packed to the brim with friends! even colin goh blogged about us! how flattering!theshow went well, and we're currently in the process of producing the DVD. the music from the show is available online, HERE. just click on the sing, city tab to download the 20 tracks. the dvd will be out soon, if any are interested.


the show basically chronicles, satirises and imitates the stereotypical experience of any singaporean studying abroad, touching on themes like relationships with parents, cross generational communication barriers and differences in values, singapore's intense focus on grades and results, scholarships and colleges, cross cultural experiences, assimilation into america, frustration with idealised dreams and coming to terms with reality, long distance relationships, losing and finding love,
friendship, racism, internships, breaking up, preparing for work, etc, etc. =) curious? listen to the music, and get the dvd! (shamelessly selling goyok)



it was a fun fun fun time working with my older brother and all other singaporeans, cast, crew and musicians.

and now, back to school.